![]() Djawadi said that he wanted to reflect the "backstabbing and conspiracy" and the unpredictability of the show: ". ![]() The tune begins with the riff played on strings in a minor key, then changed to a major key after 2 bars, and back to minor again. ĭjawadi started with a riff and he built the title theme around the riff. Cello is featured strongly as Benioff and Weiss wanted to avoid the flutes or solo vocals found in many other productions in the fantasy genre so as to give the show a distinctive sound, and Djawadi chose cello as the main instrument for the music as he thought it has a "darker sound" that suited the show. ĭjawadi said he intended to capture the overall impression of the show with the theme tune. The finished theme music was presented to the producer three days later. He said that he started humming what would become the theme tune in the car after seeing the visuals for the title sequence, and conceived of the idea for the theme on the drive back to his studio. After Djawadi was shown a preliminary animated Game of Thrones title sequence that the visual effect artists were still working on, he was inspired to write the piece. According to Djawadi, the show creators wanted the main title theme to be about a journey as there are many locations and characters in the show and the narrative involves much traveling. ![]() Weiss sent him, and discussed the concepts of the show with them. Ramin Djawadi began composing the music for the show after he had watched the first two episodes of the series that the showrunners David Benioff and D. Ramin Djawadi is the composer of the Game of Thrones score.
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